In this "manifesto" by elderly archivist Madge Cameron (pseudonym of author Rachel Phillips), the emerging technologies of Non Fungible Tokens (NFTs) and digital blockchains serve as a jumping off point for Cameron's (Phillips') contemplation of physical and digital objects and realities and the implications of digital techonolgies for art, archives, and human experience, not least of which the experiences of touch and memory. The text is supplemented with digitally altered images of archival photographs and a glossary.