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Surf and Skate Collection

 Collection
Identifier: MS-0246

Scope and Contents

The Surf and Skate Collection documents surfing and surf culture and history through article clippings, periodicals, oral history transcripts, ephemera, and media. The collection is divided into ten series.Series I: Articles and Bibliographies contain various articles, bibliographies, and syllabi related to surfing. The articles are arranged alphabetically by author last name. Articles and bibliographies without authors are lcoated at the end of the series. Series II: Oral History Transcripts transcripts from oral histories conducted with well-known surfers in Southern California. The majority of the transcripts date from 1988 to 1990 and are organized chronologically by the date of the interview. Series III: Catalogs includes merchandise catalogs from various surf brands, inluding Billabong. This series dates from the early to mid-2000s. Series IV: Brochures including informational brochures for surf-related businesses and organizations, products, and even a how-to surf guide. Series V: Events contains flyers, handouts, and brochures for various surfing-related events including exhibit openings, competitions, and auctions. This series dates from 1997-2006. The next series Series VI: Ephemera includes stickers, postcards, playing cards, advertisements, menus, fliers, stamps, business cards, and other items. Series VII: Realia includes surf-related giveways such as key chains, figuerines, and surf wax. Series VIII: AudioVisual Materials contains two VHS tapes, one DVD, and one record. The largest series, Series IX: Periodicals includes one-off issues of various surf, skate, and bodyboarding magazines from 1967 to 2007. Many of these were published in Southern California but there are also a number of internationl publications in foreign languages, including Spanish, French, Portugese, and Japanese. Larger runs of magazines (mostly big-name titles like Surfer Magazine)are available in the Library's catalog. Finally, Series X: Posters includes foldout poster from surf publications as well as several signed oversized posters. The foldout posters are arranged alphabetically by surfer last name.

Books, VHS tapes, surfing board games and other objects can also be found in the Library's catalog.

Dates

  • Creation: 1963-2011

Creator

Conditions Governing Use

The copyright interests in some or all of these materials have not been transferred to San Diego State University. Copyright resides with the creator(s) of materials contained in the collection or their heirs. The nature of archival collections is such that multiple creators are often applicable and copyright status may be difficult or even impossible to determine. In any case, the user must assume full responsibility for any use of the materials, including but not limited to, obtaining publication rights and copyright infringement. When requesting images from Special Collections & University Archives for publication, we require a signed agreement waiving San Diego State University of any liability in the event of a copyright violation.

Historical Note

Although surfing existed for hundreds of years before it was embraced by US culture, the sport did not receive national recognition until the mid-twentieth Century. The "royal sport for the natural kings" as Jack London called it in 1907, was quickly popularized in American film, music, and through the dedication of professional surfers. Beach themed movies like Gidget (1959) and surf music from the Beach Boys and Dick Dale contributed to the Californian allure, and San Diego saw a major increase of surfers out in the water.

Though much of San Diego's early surf history has gone undocumented, most historians agree that the modern age of surfing in California began with the arrival of George Freeth in 1907 and Duke Kahanamoku in 1912. The end of the Second World War saw a marked change in the jovial, communal environment that surfers once embraced. During the war, the military procured major stretches of beach for training grounds, closing many of the best breaks in the process. Technological advancements like foam boards and wetsuits aided the accessibility of the sport, and more and more people were able to get out into the water without discomfort.

In the late 1950's, Southern California saw an explosion in the surf scene, causing more experienced, older surfers to seek out unfound breaks along the coast and into Mexico. The Gidget phenomenon drew people from the mainland toward the coast to pursue unrealistic expectations about surf culture. By the 1960's surfing had become part of American identity. The sport was embraced by the masses on a grand scale.

Whereas surfing was once influenced by the relaxed Hawaiian cultural practices of hula, the ukulele, and the "aloha" spirit, the younger generation of surfers became more interested in slashing and destroying waves, shorter foam boards, and establishing surfing as a youthful counterculture. Cultural transitions during the 1960's also added to the appeal of California beaches, as surfers were seen as individualistic athletes uninterested in corporate city life. The prominence of the short board, coupled with a global interest in competitive surfing marked the departure from the "golden years" of Freeth and the famous Duke Kahanamoku.

San Diego arguably has some of the most consistent surf in the continental US, and several spots are sought out by prominent professional surfers. In 2001, Cortes Bank was discovered one hundred miles west of San Diego, yielding some of the largest waves ever ridden. The discovery of the spot has firmly planted San Diego in the world of big wave surfing, and the county is still a vibrant center for surf culture and art.

Extent

6.75 Linear Feet

Language of Materials

English

Japanese

Portuguese

Spanish; Castilian

French

Arrangement

I. Articles and Bibliographies
II. Oral History Transcripts
III. Catalogs
IV. Brochures
V. Events
VI. Ephemera
VII. Realia
VIII. Audiovisual Materials
IX. Periodicals
X. Posters

Source of Acquisition

The contents of the collection derive from several sources, including Andreas Brown, Jossie Chavez, Keith Eshelman, Joan Goodwin, Allen Kukel, Daved Marsh, Lyn Olsson, Terry Rogers, and Joe Tabler.

Accruals

2002-048, 2003-032

Related Materials

A significant portion of this collection has been cataloged, and can be accessed via the Library's catalog.

https://csu-sdsu.primo.exlibrisgroup.com/discovery/search?query=lds55,exact,Surf%20and%20Skate%20Collection,AND&tab=Everything&search_scope=MyInst_and_CI&sortby=rank&vid=01CALS_SDL:01CALS_SDL&mode=advanced&offset=0

Title
Surf and Skate Collection
Status
Completed
Date
07/29/2011
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin
Language of description note
eng

Revision Statements

  • March 2025: The collection was renamed the Surf and Skate Collection (formerly the Surfing Collection) and reprocessed with new series and descriptions.

Repository Details

Part of the Special Collections & University Archives Repository

Contact:
5500 Campanile Dr. MC 8050
San Diego CA 92182-8050 US
619-594-6791